Wednesday, September 27, 2017

Notes from enotes/Elegance of the Hegehog

The novel The Elegance of the Hedgehog(2006) is composed as a collection of essays and diary entries narrated by its two protagonists, Reneé Michel and Paloma Josse. The author, Muriel Barbery, uses two distinct fonts for each narrator, but as the novel progresses, the identity of the person speaking becomes clear without the different fonts. Reneé is a concierge in a high-class Paris apartment building. She lives in a small loge (apartment) on the first floor. She is the essayist. Paloma is a gifted twelve-year-old whose wealthy family lives in the apartment building. She is the diarist. Both narrators are not what they seem to be.
The alternating narratives of Reneé and Paloma reveal the mundane daily lives of the people that live at 7 Rue de Grenelle. Reneé describes the individuals who inhabit her apartment building, their pets, their children, their foibles. Antoine Pallières, for example, is reading Marx. Pierre Arthens, the food critic, writes brilliant restaurant reviews. Monsieur Badoise’s dog Neptune peed on Monsieur Saint-Nice’s leg.

Paloma’s diary records her observations about her family, the concierge Madame Michel (Reneé), the families that live in the apartment building, their pets, their children, their foibles. Madame Josse reads Balzac, quotes Flaubert, and is obsessed with her house plants. The Meurisses’ dog Athena looks like a “skeleton covered over with beige leather hide.” Both narrators’ observations are thus remarkably similar. This is because Reneé and Paloma are kindred spirits. They think alike. Day after day, Reneé ruminates on her views of various philosophers and Paloma jots down daily profound thoughts. Unknown to each other at first, however, these two characters experience the world with parallel minds but not parallel lives.

Outwardly, Reneé appears to be a typical concierge—a working-class woman who has taken over the apartment manager duties from her deceased husband, Lucien. She keeps the television turned on during the day, but she rarely watches it. She is secretly, she says, an autodidact—a self-educated person. She reads philosophy, listens to Mozart, visits art museums, and is fascinated by everything Japanese. As a young child, Reneé taught herself to read. Although she left school at twelve years of age (the same age as that of Paloma) her education is vast and varied, very much in contrast with the wealthy, formally-educated residents of her apartment building. The only one that knows the truth about Reneé is her friend Manuela, who is the maid to several families in the building. Reneé’s husband, Lucien, shared her secret, but he is dead when the novel begins.
Paloma is also an autodidact, and her knowledge rivals that of Reneé. She is much more intelligent and knows far more about music, art, literature, and Japanese culture than anyone suspects. Although she studies Japanese in school, no one realizes she is actually fluent. She, too, has taught herself. Paloma lives with her wealthy parents and older sister, Colombe, a college student. Frustrated, bored, and disgusted with her pampered life, Paloma plans to set the apartment building on fire and kill herself when she turns thirteen.

BOA Dine and Rhyme

BOA DINE AND RHYME

https://www.eventbrite.com/e/boa-editions-20th-annual-dine-rhyme-celebration-tickets-36721265293

Writing dialogue/Elegance of the Hedgehog

AGENDA:

Review "Writing dialogue".  Revise your use of dialogue in your short story.

https://www.thoughtco.com/writing-story-dialogue-1857652

More on first person:
https://www.thoughtco.com/first-person-point-of-view-1690861

Continue working on intergenerational short story.

Finish Hedgehog over weekend,  TEST TUESDAY!


Tuesday, September 19, 2017

Elegance of the Hedgehog/Short Stories

AGENDA:

Read aloud pp. 96-98.  Respond to the passage for a quiz grade.  Evaluate the ideas that Renee is presenting.  Do you agree or disagree with her ideas about Art?

Continue working on your 2 person generational stories---

The Elegance of the Hedgehog Objects and Places of Importance

Objects/Places
Plants
Solange Josse seems to take better care of her plants than she does her own children,
spending a great deal of time each day watering and speaking to the plants.

Sleeping Pills
Paloma steals one of her mother's sleeping pills each night and hides them so that she
might use them to commit suicide on her thirteenth birthday.

Beige Dress
Manuela borrows a beige dress from her neighbor and friend, a dressmaker, for Renee
to wear to her first dinner date with Kakuro. The dress belongs to a client who died and
Renee is later told she can keep it. However, Renee exchanges it with a purple one
when she goes to the dry cleaner to pick it up.

Columbe's Master's Thesis
Renee reads an early draft of Columbe's Master's Thesis and finds it wanting. Renee
feels that intellectuals should use their education to make the world better, but this is not
what Columbe is doing with her thesis.

Journals
Paloma makes observations and writes down profound thoughts in two journals to
chronicle the months up to her suicide.

Husserl
Renee attempts to read a book by Husserl about phenomenology, but finds it to be a
whole lot of nonsense and puts it aside.
Anna Karenina

Anna Karenina is a novel by Leo Tolstoy. Renee considers this novel one of her
favorites and it is a quote from this novel that causes Kakuro Ozu to figure out Renee's
secret on their first meeting.

Ozu Movies  https://en.wikipedia.org/wiki/Yasujir%C5%8D_Ozu
Renee has recently discovered movies by a Japanese filmmaker named Ozu that she
feels are full of great metaphor. It turns out Kakuro Ozu is a distant relative of the
filmmaker.

Elevator
Paloma meets Kakuro on the elevator when it becomes stuck after someone forgot to
close the gate on an upper floor. This leads to a good friendship between these two
when Kakuro learns of Paloma's interest in Japanese culture.

Renee's Loge
Renee lives in a loge at number 7, rue de Grenelle that comes with her job. Renee often
leaves the television on in her loge to confirm the preconceptions of the tenants even
though she does not watch regular television.

Number 7, rue de Grenelle
Number 7, rue de Grenelle is where the novel takes place. This is an apartment building
in France that caters to wealthy tenants.

Friday, September 15, 2017

Fall Writing Contests


Bennington Young Writers Contest

Go to: 
https://admissions.bennington.edu/register/youngwriters

Elegance of the Hedgehog Stories

AGENDA:

Think, pair, share.  Please discuss and post a comment answering these questions with a partner.  List BOTH names

1. True life is elsewhere
One French critic called The Elegance of the Hedgehog “the ultimate celebration of every person’s invisible part.” How common is the feeling that a part of oneself is invisible to or ignored by others? How much does this “message” contribute to the book’s popularity? Why is it sometimes difficult to show people what we really are and to have them appreciate us for it?
2. This book will save your life
The Elegance of the Hedgehog has been described as “a toolbox one can look into to resolve life’s problems,” a “life-transforming read,” and a “life-affirming book.” Do you feel this is an accurate characterization of the novel? If so, what makes it thus: the story told, the characters and their ruminations, something else? Can things like style, handsome prose, well-turned phrases, etc. add up to a life-affirming book independently of the story told?

2. Continue working on your character sketches and stories

3. HMWK: REad to page 98 for Tuesday. QUIZ!

Wednesday, September 13, 2017

Elegance of the Hedgehog Stories

AGENDA:

1. Print and turn in Goldberg Test 2

2. Complete and print and turn in Response to Barbery quote

3.  Pay atention to this discussion question for your short stories

10. A Bridge across Generations
Renée is fifty-four years old. Paloma, the book’s other main character, is twelve. Yet much of the book deals with these two ostensibly different people discovering their elective affinities. How much is this book about the possibilities of communication across generations? And what significance might the fact that Renée is slightly too old to be Paloma’s mother, and slightly too young to be her grandmother have on this question of intergenerational communication?

4. Work on short stories and character sketches

HMWK: Read to pg. 70 in Elegance of Hedgehog

Sunday, September 10, 2017

Muriel Barbery

AGENDA:

http://academyofamericanpoets.cmail20.com/t/ViewEmail/y/34E1CD9CE148F714/FF0EB04BBFA2CA21A2432AF2E34A2A5F

1. Read interview with Barbery
https://www.bookbrowse.com/author_interviews/full/index.cfm/author_number/1656/muriel-barbery

2. Quotes:
https://www.goodreads.com/author/quotes/643126.Muriel_Barbery 

Writing Activity: Respond in a reflection to one of the quotes that interests you.

3. Wikipedia entry
https://en.wikipedia.org/wiki/Muriel_Barbery

Characters

Renee Michel

A concierge at number 7, rue de Grenelle.

Paloma Josse

A twelve-year-old girl who lives in Renee's building.

Kakuro Ozu

A wealthy Japanese business man.

Manuela

This character is always scheming to find a way to return to her country.

Olympe Saint-Nice

She wants to be a veterinarian when she grows up.

Columbe Josse

This character is studying philosophy in graduate school.

Pierre Arthens

A food critic who writes about food as though he were writing great fiction.

Jean Arthens

The image of the camellias in Renee's front garden helped this character get through the most difficult moments of rehab.

Paul Nguyen

Kakuro Ozu's personal assistant.

Solange Josse

This character has been in therapy for ten years and taking anti-anxiety drugs for the same amount of time.

Discussion Questions
1. True life is elsewhere
One French critic called The Elegance of the Hedgehog “the ultimate celebration of every person’s invisible part.” How common is the feeling that a part of oneself is invisible to or ignored by others? How much does this “message” contribute to the book’s popularity? Why is it sometimes difficult to show people what we really are and to have them appreciate us for it?
2. This book will save your life
The Elegance of the Hedgehog has been described as “a toolbox one can look into to resolve life’s problems,” a “life-transforming read,” and a “life-affirming book.” Do you feel this is an accurate characterization of the novel? If so, what makes it thus: the story told, the characters and their ruminations, something else? Can things like style, handsome prose, well-turned phrases, etc. add up to a life-affirming book independently of the story told? To put it another way—Renée Michel’s way—can an encounter with pure beauty change our lives?
3. —a rose
By any other name would smell as sweet. Both Renée and Paloma use stereotypes to their benefit, hiding behind the perceptions others have of their roles. Our understanding and appreciation of people is often limited to a superficial acknowledgement of their assigned roles, their social monikers—single mother, used car salesman, jock, investment banker, senior citizen, cashier… While we are accustomed to thinking of people as victims of stereotypes, is it possible that sometimes stereotypes can be useful? When, under what circumstances, and why, might we welcome an interpretation based on stereotypes of our actions or of who we are? Have you ever created a mise en place that conforms to some stereotype in order to hide a part of yourself?
4. “One of the strengths I derive from my class background is that I am accustomed to contempt.” (Dorothy Allison)
Some critics call this novel a book about class. Barbery herself called Renée Michel, among other things, a vehicle for social criticism. Yet for many other readers and reviewers this aspect is marginal. In your reading, how integral is social critique to the novel? What kind of critique is made? Many pundits were doubtful about the book’s prospects in the US for this very reason: a critique of French class-based society, however charming it may be, cannot succeed in a classless society. Is the US really a classless society? Are class prejudices and class boundaries less pronounced in the US than in other countries? Are the social critique elements in the book relevant to American society?
5. Hope I die before I get old
Paloma, the book’s young protagonist, tells us that she plans to commit suicide on the day of her thirteenth birthday. She cannot tolerate the idea of becoming an adult, when, she feels, one inevitably renounces ideals and subjugates passions and principles to pragmatism. Must we make compromises, renounce our ideals, and betray our youthful principles when we become adults? If so, why? Do these compromises and apostasies necessarily make us hypocrites? At the end of the book, has Paloma re-evaluated her opinion of the adult world or confirmed it?
6. Kigo: the 500 season words
Famously, the Japanese language counts twelve distinct seasons during the year, and in traditional Japanese poetry there are five hundred words to characterize different stages and attributes assigned to the seasons. As evidenced in its literature, art, and film, Japanese culture gives great attention to detail, subtle changes, and nuances. How essential is Kakuro’s being Japanese to his role as the character that reveals others’ hidden affinities? Or is it simply his fact of being an outsider that matters? Could he hail from Tasmania and have the same impact on the story?
7. Circumstances maketh the woman
Adolescent children and the poor are perhaps those social groups most prone to feel themselves trapped in situations that they cannot get out of, that they did not choose, and that condition their entire outlook. Some readers have baulked at the inverse snobbery with which the main characters in The Elegance of the Hedgehog initially seem to view the world around them and the people who inhabit it. Is this disdain genuine or a well-honed defence mechanism provoked by their circumstances? If the later, can it therefore be justified? Do Renée’s and Paloma’s views of the world and the people who surround them change throughout the book? Would Paloma and Renée be more prone to fraternal feelings if their circumstances were different?
8. “Unprovided with original learning, unformed in the habits of thinking, unskilled in the arts of composition, I resolved to write a book.” (Edward Gibbon)
In one of the book’s early chapters, Renée describes what it is like to be an autodidact. “There are days when I feel I have been able to grasp all there is to know in one single gaze, as if invisible branches suddenly spring out of nowhere, weaving together all the disparate strands of my reading—and then suddenly the meaning escapes, the essence evaporates, and no matter how often I reread the same lines, they seem to flee ever further with each subsequent reading, and I see myself as some mad old fool who thinks her stomach is full because she’s been attentively reading the menu. Apparently this combination of ability and blindness is a symptom exclusive to the autodidact.” How accurately does this describe sensations common to autodidacts? What are the advantages and disadvantages of being self-taught?
9. The Philosopher’s Stone
Much has been made of the book’s philosophical bent. Some feel that the author’s taste for philosophy and her having woven philosophical musings into her characters’ ruminations, particularly those of Renée, hampers the plot; others seem to feel that it is one of the book’s most appealing attributes. What effect did the philosophical elements in this book have on you and your reading? Can you think of other novels that make such overt philosophical references? Which, and how does Hedgehog resemble or differ from them?
10. A Bridge across Generations
Renée is fifty-four years old. Paloma, the book’s other main character, is twelve. Yet much of the book deals with these two ostensibly different people discovering their elective affinities. How much is this book about the possibilities of communication across generations? And what significance might the fact that Renée is slightly too old to be Paloma’s mother, and slightly too young to be her grandmother have on this question of intergenerational communication?
11. Some stories are universal
The Elegance of the Hedgehog has been published in thirty-five languages, in over twenty-five countries. It has been a bestseller in France, Spain, Germany, Italy, South Korea, and America. In many other countries, while it may not have made the bestseller lists, it nonetheless has enjoyed considerable success. In the majority of these cases, success has come despite modest marketing, despite the author’s reticence to appear too often in public, and her refusal to appear in television, and despite relatively limited critical response. The novel has reached millions of readers largely thanks to word-of-mouth. What, in your opinion, makes this book so appealing to people? And why, even when compared to other beloved and successful books, is this one a book that people so frequently talk about, recommend to their friends, and give as gifts? And what, if anything, does the book’s international success say about the universality of fictional stories today?
12. “…a text written above all to be read and to arouse emotions in the reader.”
In a related question, The Elegance of the Hedgehog has been described as a “book for readers” as opposed to a book for critics, reviewers, and professors. What do you think is meant by this? And, if the idea is that it is a book that pleases readers but not critics, do you think this could be true? If so, why?
(Questions issued by publisher.)