Monday, October 24, 2016

30/30 books--Due Friday

AGENDA:

Work on 30/30 poem books--Due Friday

Contests: Hollins, Bennington, Scholastic


What can we say about our childhood memories?
https://www.poets.org/poetsorg/teach-poem

or perhaps an abecedarian poem:

Abecedarian Requiring Further Examination of Anglikan Seraphym Subjugation of a Wild Indian Rezervation

Related Poem Content Details

Angels don’t come to the reservation.
Bats, maybe, or owls, boxy mottled things.
Coyotes, too. They all mean the same thing—
death. And death
eats angels, I guess, because I haven’t seen an angel
fly through this valley ever.
Gabriel? Never heard of him. Know a guy named Gabe though—
he came through here one powwow and stayed, typical
Indian. Sure he had wings,
jailbird that he was. He flies around in stolen cars. Wherever he stops,
kids grow like gourds from women’s bellies.
Like I said, no Indian I’ve ever heard of has ever been or seen an angel.
Maybe in a Christmas pageant or something—
Nazarene church holds one every December,
organized by Pastor John’s wife. It’s no wonder
Pastor John’s son is the angel—everyone knows angels are white.
Quit bothering with angels, I say. They’re no good for Indians.
Remember what happened last time
some white god came floating across the ocean?
Truth is, there may be angels, but if there are angels
up there, living on clouds or sitting on thrones across the sea wearing
velvet robes and golden rings, drinking whiskey from silver cups,
we’re better off if they stay rich and fat and ugly and
’xactly where they are—in their own distant heavens.
You better hope you never see angels on the rez. If you do, they’ll be marching you off to 
Zion or Oklahoma, or some other hell they’ve mapped out for us.

Natalie Diaz, “Abecedarian Requiring Further Examination of Anglikan Seraphym Subjugation of a Wild Indian Rezervation” from When My Brother Was an Aztec. Copyright © 2012 by Natalie Diaz. Reprinted by permission of Copper Canyon Press.
or a pantoum:

My Brother At 3 AM

He sat cross-legged, weeping on the steps
when Mom unlocked and opened the front door.
     O God, he said, O God.
           He wants to kill me, Mom.

When Mom unlocked and opened the front door
at 3 a.m., she was in her nightgown, Dad was asleep.
     He wants to kill me, he told her,
           looking over his shoulder.

3 a.m. and in her nightgown, Dad asleep,
What’s going on? she asked, Who wants to kill you?
     He looked over his shoulder.
           The devil does. Look at him, over there.

She asked, What are you on? Who wants to kill you?
The sky wasn’t black or blue but the green of a dying night.
     The devil, look at him, over there.
           He pointed to the corner house.

The sky wasn’t black or blue but the dying green of night.
Stars had closed their eyes or sheathed their knives.
     My brother pointed to the corner house.
           His lips flickered with sores.

Stars had closed their eyes or sheathed their knives.
O God, I can see the tail, he said, O God, look.
     Mom winced at the sores on his lips.
           It’s sticking out from behind the house.

O God, see the tail, he said, Look at the goddamned tail.
He sat cross-legged, weeping on the front steps.
     Mom finally saw it, a hellish vision, my brother.
           O God, O God, she said.

Thursday, October 20, 2016

Tuesday, October 18, 2016

Ekphrastic Photo Poem

AGENDA:

Go to:


"The Buttonhook"
https://www.poets.org/poetsorg/teach-poem

Find a photo that represents a moment in history.  Make a list of descriptive details.  What was that moment in history like?  How did the photo capture it?  Is that moment in history personally relevant?  Create a poem about the photo.

Some websites to explore:

http://www.boredpanda.com/historic-photos/

http://pulptastic.com/40-rare-historical-photographs-must-see/

http://rarehistoricalphotos.com/

http://www.boredpanda.com/must-see-historic-moments/

Annie Edison Taylor, the first person to survive going over Niagara Falls in a barrel, 1901

Friday, October 14, 2016

Dream of a Thing (Cora Brooks, The Sky Blew Blue)

Imagine an ordinary object, one that you could hold in your hands.  Imagine that you could take this object to a field where you put it down and leave it.

Imagine that someday you come back to the field and find the object that you placed there.

Know that the object has been sleeping.

You are magic.  You can tell what the object is dreaming.

In the same way you can dream impossible or strange things, so can the object.  

Write the dream of the object.

Dylan/Nobel Prize/Portfolios

Morning Reflection:
Do you think Bob Dylan deserves the Nobel Prize?  What does that say about the nature of literature and songwriting as a "fine art"?

Listen to Dylan music.  Read articles.  Look over lyrics:

http://www.nytimes.com/2016/10/14/arts/music/bob-dylan-nobel-prize-literature.html?_r=0

http://www.cnn.com/2016/10/14/world/bob-dylan-nobel-lyrics-quiz/index.html

http://abcnews.go.com/Entertainment/wireStory/bob-dylan-wins-2016-nobel-prize-literature-42772070

http://www.cnn.com/2016/10/13/entertainment/dylan-songs-history-trnd/index.html

Post a comment as your response to your readings,


WRITING:  Work on portfolios.  You should have 8-10 poems in your folder at this time.  Type up 30/30 poems and label each assignment.  Use MLA heading.  don't forget titles for your poems.

Turn in grade sheets with additional poems you have added today at end of class.  Place a check mark by the additional assignments you have completed.


Wednesday, October 12, 2016

Response poems

Billy Collins

AGENDA:


Billy Collins website:

http://www.billy-collins.com/

TED talk:

http://blog.ted.com/2012/02/28/poems-in-motion-billy-collins-at-ted2012/

http://www.youtube.com/watch?v=_BXZjTETLQM  

Everyday Moments Caught in Time

http://www.youtube.com/watch?v=ddw1_3ZVjTE 

WRITING:
1. Select a poem by Billy Collins.  Write a poem modeled on and in response to Billy Collins.


Here's an example of mine in response to poet William Stafford:

Traveling Through The Dark

Traveling through the dark I found a deer
dead on the edge of the Wilson River road.
It is usually best to roll them into the canyon:
that road is narrow; to swerve might make more dead.

By glow of the tail-light I stumbled back of the car
and stood by the heap, a doe, a recent killing;
she had stiffened already, almost cold.
I dragged her off; she was large in the belly.

My fingers touching her side brought me the reason--
her side was warm; her fawn lay there waiting,
alive, still, never to be born.
Beside that mountain road I hesitated.

The car aimed ahead its lowered parking lights;
under the hood purred the steady engine.
I stood in the glare of the warm exhaust turning red;
around our group I could hear the wilderness listen.

I thought hard for us all--my only swerving--,
then pushed her over the edge into the river.